Belgian Office for Economy and Agriculture.Répertoire des Biens Spoliés en France Durant la Guerre 1939-1945 = List of property removed from France during the war, 1939-1945. National Archives - International Research Portal for Records Related to Nazi-Era Cultural Property.National Archives - Holocaust-Related Records.German Lost Art Foundation - Lost Art Database.Cultural Plunder by the Einsatzstab Reichsleiter Rosenberg (ERR) - Database of Art Objects at the Jeu de Paume.Commission for Looted Art in Europe - Central Registry of Information on Looted Cultural Property 1933-1945.Washington, DC: American Association of Museums, 2001. London: Lund Humphries in association with IFAR, 2020. Provenance Research Today: Principles, Practice, Problems. Répertoire des Catalogues de Ventes Publiques: Intéressant l'art ou la Curiosité = Repertory of Catalogues of Public Sale Concerned with Art or Objets of Art. New York: The New York Public Library, 1944. American Art Auction Catalogues, 1785-1942: A Union List. SCIPIO - Art and Rare Book Sales/Auction Catalogs.Oxford University Press - Oxford Art Online *subscription database.International Foundation for Art Research - Catalogues Raisonnés Database.International Consortium of Photo Archives - PHAROS.International Art and Antique Loss Register Limited - Art Loss Register.Getty Research Institute - Collecting and Provenance Research Guide.Frick Collection - Archives Directory for the History of Collecting in America.Federal Bureau of Investigation - National Stolen Art File.You may also schedule a one hour Personal Research Session with a Worcester Art Museum librarian by contacting or Resources for Provenance Research General Research Web Resources If you are new to provenance research, the International Foundation for Art Research provides a comprehensive Provenance Guide that introduces researchers to this type of art research and suggests valuable tools and resources for support. Meeting minutes for various Museum committees and Trustees/Board of Directors.Museum annual reports, news bulletins, and journals.Much of this information is available to the public for research consultation. The Worcester Art Museum Library, Archives, and Curatorial departments contain extensive information and resources that are important for conducting provenance research. Independent Research/Public Records Getting started with Provenance Research Any proceeds from the sale of deaccessions must be used to acquire works of art.
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All deaccessions are reviewed internally by the Curatorial Division and the Museum Director, and they must be formally approved by the Collections Executive Committee and the full Board of Trustees. All objects proposed for deaccession are subject to the criteria and procedures outlined in the Museum's Collections Management Policy (approved by the Board of Trustees in 2016) as well as written procedures for deaccession and disposal. The Worcester Art Museum regularly evaluates its collections to identify candidates for deaccession (or removal from the collection) by sale, transfer, exchange, disposal, or repatriation.
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This policy is intended to act both as a guide to staff in their work of developing, managing, and giving access to the collection and also to demonstrate to external stakeholders the Museum's commitment to maintaining legal, ethical, and professional standards in developing, managing, and giving access to its collection. This Collections Management Policy defines how the Museum develops, cares for, and makes its collection accessible to the public, consistent with the mission of the Museum and with professional museum standards. If you have questions about provenance, please contact Collections Management Policy A list of resources is available below for individuals seeking to learn more. The Worcester Art Museum encourages curiosity and research regarding the provenance of objects in our collections. In the past, details of ownership were not always thoroughly recorded before an object came to a museum. Provenance research has changed over time and is a priority in current museum practices.įor many reasons, the provenance of certain objects can be difficult to determine. Their stories coincide with pivotal events, cultural practices, and communities throughout history. Nearly all artworks on display in museums were previously owned and housed elsewhere. Provenance is the history of the ownership of a work of art, from the time of its creation to the present day.
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